I finally got to watch ‘Melody’ last night. I’d known it was a huge cult hit in Japan for years and that it had a terrific soundtrack featuring some of the Bee Gee’s finest as well as the glorious ‘Teach Your Children’ by Crosby, Stills, Nash and Young. I knew too it was David Puttnam’s first feature production and Alan Parker’s first screenplay; that it featured Jack Wild and Mark Lester (stars of 'Oliver!' - the first film I have a memory of seeing in a cinema) as well as an iconic Tracy Hyde.
Sometimes when one finally catches up with supposedly classic artifacts (films, albums, paintings, whatever...) it can be a thoroughly underwhelming experience. It often makes me wonder if appreciation of those things is inevitably tied into the jigsaw puzzle of other signifiers, or at least to an understanding and acceptance of original context. So whilst I can understand people watching ‘Melody’ in 2011 (forty years after it’s original release) and not really getting what the fuss is about, for me it hits the spot. The soundtracked sequences are like mini-promo videos which, from a filmic point of view are probably over-long and indulgent. Especially if you don’t understand that The Bee Gees at this point in time had made some of the most exquisite records ever. But if you know that then you already love those songs and it’s sheer perfection. ‘Melody Fair’ playing in the graveyard scene is just magic, for example, whilst the scene with ‘Teach Your Children’ is typical English mild madcap slapstick that you’ll either love or hate.
You probably know too about some of the other neat connections out from the movie - the great Kate Williams who plays Melody’s mum reprises a similar role eight years later in 'Quodrophenia'; the irresistible Roy Kinnear (who, as C observed, appears always be to be the same age) as Melody’s dad; Sheila Steafel as Mrs Latimer has been a regular of the UK TV scene for decades, but those of a certain age will undoubtedly remember her fondly as The White Lady in ‘The Ghosts of Motley Hall’; Jack Wild’s lead in 'Pufnstuf' alongside Mama Cass linking sweetly to the California scene and the fact that Brian Wilson’s backing band The Wondermints recorded a song called ‘Tracy Hide’ in homage to Miss Hyde...
Didn't someone once say "it all fits"?