Sunny morning in Bristol. Strange night last night. Dinner at Budokan by the Colston Hall, fleetingly wondering which of the posters in front of the hall was for the nights show, and then over dinner watching groups of men in jean jackets and grey beards walk past and trying to guess for their appearance which of the acts was most likely performing. We figured it most likely to be either Jackson Browne or Jeff Beck, our final decision of the latter proving to be right as we checked the listings board on the way back to the hotel.
As we chilled out in the Drawing Room waiting for a taxi, attention was mildly diverted to Big Brother screening quietly on the TV in the corner. Now I’ve never seen Big Brother before, and I was really rather shocked at just how awful it is. They were doing a bunch of tasks that, if passed, collected them prize money. It was kind of sad and dull. It’s funny, I only seem to really experience the kind of collective mainstream culture that most people take for granted when I go away for a break somewhere. Most of the time I’m cocooned in my own little world, up in the Geek Lair or inside my own head / world of books and films (as Biff Bang Pow! once so wonderfully sang), so it usually comes as a bit of a shock.
The taxi ride was fun. None of the most repulsive techno music ever made (tm Of Montreal) but rather the audio tape of a Blackadder Goes Forth episode. It was the one where Rik Mayall crops up as Flasheart the flying ace, and it raised several smiles. Sadly the venue for the Gravenhurst show raised fewer smiles. As Nick later pointed out, it was pretty much the pinnacle of the Bristol toilet circuit; the kind of place we left behind in our twenties. And as I reflected later, it helped that ten years ago I was drinking and therefore able to at least partially merge into the whole culture. These days I just feel like an alien. It was really good to talk to Nick, although I felt guilty for making him stress his voice shouting over the bar stereo. We talked about a lot of things that are fermenting in my head even as I type this, hopefully to emerge eventually as a feature that I might submit to Plan B or sling onto Tangents. His Internal Travels album is issued on Warp tomorrow, so make sure you check it out.
He did ask if Warp had sent a new copy of the album, but they haven’t, Warp being in my experience very difficult to get stuff from. So the only copy I have is the Silent Age one that I bought (the one Nick sent me having itself passed into the hands of a friend), and as I have said before, I think these things are important; supporting the artists you like by buying their product.
Hmmm, and having said that, in the end we didn’t even see Gravenhurst play. The thought of going into the furnace of the black back room was, in the end, too horrific to contemplate, even to see an artist that I think is a potential genius. It made me consider my whole approach to the music thing again, and how much I love records and on the whole am at best ambivalent about the Live Experience. Especially the Live Experience in toilets… No, once more it’s safe to say I much prefer the personal experience of the recorded sound. It was strange to have Nick refer back to something I’d written years ago in Young and Foolish, but he reminded me of the key point of it all: It’s all about that sense of taking ownership of the art(efact), and that’s something that is central to the way I consume culture and is something that, for me, is next to impossible in the live context.
So I felt bad for slipping away, but it was for the best. I could feel the old nausea rising in my soul, the life being sucked out of me by too many bodies, too much smoke, too much noise not to my tastes… And as Kevin Rowland once said ‘it’s my problem, I’ll deal with it in my own way’… so we walked out of there, we walked right out of there, and we walked down the road, and although we didn’t start to sing, we did feel much better.