
I took this photo a couple of weeks ago but for some reason did not post it here. I had picked up that Pipettes 7” for the glorious Martin Rushent remix of ‘Stop The Music’ (well, that and the lovely sleeve, for I could just as easily have settled for the download after all) and the Darren Hayman records because, well, they are Darren Hayman records. The ‘I Taught You To Dance’ 10” is a particular treat, and not just because it is on the best format ever. For on that record Darren covers three songs with the word ‘Dance’ in the title. One of them is The Kinks’ standard ‘Come Dancing’ which Darren gives a gorgeously sympathetic reading, bringing to the surface Davies’ melancholic nostalgia. On another he takes on Eddy Grant’s ‘I Don’t Wanna Dance’, a song many of a certain age may recoil from as being an awful radio chart hit from their youth. Then again, it might cause us to reappraise the original...
By sweet coincidence then (and on Eddy’s birthday no less) Kevin Pearce has done just that with the latest edition of Your Heart Out. It’s a magical read. My favourite extract must be this paragraph:
“In the summer of 1979 Eddy Grant had his first big solo hit when Living on the Frontline crashed into the UK charts. At the time it seemed to come out of nowhere, but it was a good time for something unexpected to be a success. Other hits from around the same time included Earth Wind & Fire’s ‘Boogie Wonderland’, Janet Kay’s ‘Silly Games’, Gary Numan’s ‘Are “Friends” Electric’ and ‘Cars’, Anita Ward’s ‘Ring My Bell’, The Specials’ ‘Gangsters’, Gibson Brothers’ ‘Cuba’ and ‘Ooh What A Life’, Sparks’ ‘Number One Song in Heaven’ and ‘Beat The Clock’, Slick’s ‘Space Bass’, PiL’s ‘Death Disco’, Chic’s ‘Good Times’, Sister Sledge’s ‘We Are Family’ and ‘Lost in Music’, McFadden and Whitehead’s ‘Ain’t No Stoppin’ Us Now’, the Jacksons’ ‘Shake Your Body’, The Ruts’ ‘Babylon’s Burning’, UK Subs’ ‘Stranglehold’, the Beach Boys’ ‘Lady Lynda’, Ian Dury’s ‘Reasons To Be Cheerful’, and Dennis Brown’s ‘Money In My Pocket’. Records seemed to be transcending the specialist shows and defying the usual marketing campaign logic.”
Seriously. Take those titles and make a mix. Go on. How great a mix would that be?
Challenging perceptions. Questioning accepted truths. Get Your Heart Out here.